Since 2010 I’ve been contributing to Radio Aporee, under two profiles:
Currently, I’m working there on the following projects:
Hydrolanguages
For years I have been fascinated by the languages of water – an infinitely nuanced polyphony. I am still searching for the best ways to capture that polyphony. What interests me most are zones of transition – the area just above the surface, or wherever water meets other states of matter: air, rock, earth. I am especially interested in coastal areas and small inland watercourses. With that, I have started developing my own methods of recording, where the tech equipment is important but is not centerstage and every configuration depends on a microlocal context.
In October 2026 I have been invited to carry out Hydrolanguages as a series including a soundwalk, a workshop and a performative lecture at the Odyseja Nowohucka (Nowa Huta Odyssey) – a yearly festival run by Laznia Nowa Theater and Utopia House – International Empathy Center in Kraków Nowa Huta
Silence Is Not What You Think It Is
With this project, I go looking for pockets of silence — often in unexpected places and situations. I’m drawn to how silence gets folded into the everyday, into the banal. To paraphrase: silence is in the ear of the beholder. It is made, not born.
Human/Non-Human
In this project, I’m primarily interested in understanding deeper and more complex relations between human-generated sound and the non-human resonances it may or may not trigger. There seems to be a dynamics of the relation that often vanishes from the surface when the focus is on human/non-human polarity. More often than not, what happens, is a kind of oscillation, polylog, and enfolding between both domains – at least when we tend to listen rather than categorize.
The Music of the Acropolis
The project consists of recordings of street music recorded over 2 consecutive days, 4th and 5th of May, 2025 during numerous walks around the hill of the Acropolis in Athens.
Resonances of the Great River
Resonances of the Great River: Listening Across the Timescales was the workshop on situated listening I led at the Folk Media iDMAa The International Digital Media and Arts Association 2025 Conference and Festival. It included the practice of field recording aimed at capturing the sounds and resonances of the Mississippi across different time scales: geological time, riverine time and human time. With the support from the Adam Mickiewicz Institute and the Winona State University Foundation.
I taught at the Winona State University for the fall semester in 2019 and I recorded extensively, also in the consecutive years, as soon as travelling had been possible after the pandemic lockdowns. Recordings I made in the years 2019-2024 while visiting the area are also included. Recordings from geophone and hydrophones are available separately via my account on Soundcloud, as radio aporee reads them as corrupted files (probably the sound quality excessing the regular range).
